65 mm reborn. The largest cinema sensor in the world, only from ARRI Rental.
Enlarge your vision.
The best just got better.
The family got bigger. And smaller.
Go anywhere, shoot anything.
The largest matched range of modern cine primes and zooms, as well as top quality filters.
Any camera. Any lens.
For most professional cameras on the market.
Creativity in motion.
The most complete camera systems ever built.
Soft Lighting | Redefined
Cut. Shape. Focus. Tune.
More light, less work
State-of-the-art, long-life electronic ballasts for optimum image quality
High performance and quality LED luminaires
Fresnel and open-face fixtures ranging from 125 to 18,000 W
Classic Fresnel fixtures ranging from 150 to 24,000 W
Tungsten, Daylight and LED kits fully equipped with all vital accessories backed in robust and reliable cases.
Professional Lighting Accessories - cables, grip, stands and much more
Turnkey solutions for TV studios worldwide
The most extensive range of innovative lighting products.
Solutions for motion picture archives.
ARRI Rental - We've got you covered.
The best support your vision can get.
Fully digital 3D surgical microscope.
Professional filmmaking for medical media productions.
A new era in surgical imaging.
Indian cinematographer Sudeep Chatterjee shares his thoughts on using ALEXA XT and Master Primes on director Sanjay Leela Bhansali's hit film, BAJIRAO MASTANI.
ARRI dominates as the cameras of choice for Oscar® winners at the 88th Annual Academy Awards, with ALEXA a clear favorite among top filmmakers.
Cinematographer Emmanuel Lubezki ASC, AMC works with ALEXA XT, ALEXA M and ALEXA 65 cameras, combined with ARRI lenses, on Alejandro Iñárritu's immersive epic.
ARRI hosts top-level DPs and showcases its latest products at the annual technology expo of the British Society of Cinematographers in London.
Captured with ALEXA and starring Cate Blanchett, MANIFESTO is the latest video project from artist Julian Rosefeldt and cinematographer Christoph Krauss BVK.
Michael McDonough ASC combines the ALEXA XT and Master Anamorphic lenses with the ARRIFLEX 765 65 mm film camera on Terence Davies' epic new film.
Dial “K” for Kill captured with the ALEXA LF and ARRI Signature Primes.
Watch the video.
Please install SUP 4.3.23 to all ARRI Wireless Video System devices