65 mm reborn. The new large-format system.
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Soft Lighting | Redefined
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Fully digital 3D surgical microscope.
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DP Vladan Radovic AIC gives his account of working with ALEXA cameras and SkyPanel LED lights on director Paolo Virzì's new film LIKE CRAZY (LA PAZZA GIOIA).
Director Maren Ade's critic award-winning film was shot with ARRI ALEXA cameras, while postproduction services were provided by ARRI Media.
From the unsurpassed dynamic range of its cameras to its cutting-edge Dolby Vision grading cinema, ARRI leads the field with HDR technology.
Software Update Package 4.0 brings new features including internal ARRIRAW recording and 4:3 modes for anamorphic productions.
SXT, or Super Xtended Technology, is the new high-performance platform for the ALEXA family of cameras, with improved image quality and new recording options.
Indian cinematographer Sudeep Chatterjee shares his thoughts on using ALEXA XT and Master Primes on director Sanjay Leela Bhansali's hit film, BAJIRAO MASTANI.