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Iranian movie THE SALESMAN, directed by Asghar Farhadi and captured with ALEXA by DP Hossein Jafarian, takes home ARRI/OSRAM Award at Munich Film Festival.
Cinematographer Cheon-Seok Kim's drive for higher image quality in South Korean TV series sees him turn to ALEXA for two major shows.
Cinematographers with films in competition at the 69th Cannes Film Festival swing by the Director's Fortnight pavilion to talk with ARRI about their work.
DP Vladan Radovic AIC gives his account of working with ALEXA cameras and SkyPanel LED lights on director Paolo Virzì's new film LIKE CRAZY (LA PAZZA GIOIA).
Director Maren Ade's critic award-winning film was shot with ARRI ALEXA cameras, while postproduction services were provided by ARRI Media.
From the unsurpassed dynamic range of its cameras to its cutting-edge Dolby Vision grading cinema, ARRI leads the field with HDR technology.