65 mm reborn. The new large-format system.
The best just got better.
The family just got bigger. And smaller.
Go anywhere, shoot anything.
The largest matched range of modern cine primes and zooms, as well as top quality filters.
Any camera. Any lens.
For most professional cameras on the market.
Creativity in motion.
The most complete camera systems ever built.
Soft Lighting | Redefined
Cut. Shape. Focus. Tune.
More light, less work
State-of-the-art, long-life electronic ballasts for optimum image quality
High performance and quality LED luminaires
Fresnel and open-face fixtures ranging from 125 to 18,000 W
Classic Fresnel fixtures ranging from 150 to 24,000 W
Tungsten, Daylight and LED kits fully equipped with all vital accessories backed in robust and reliable cases.
Professional Lighting Accessories - cables, grip, stands and much more
Turnkey solutions for TV studios worldwide
The most extensive range of innovative lighting products.
Solutions for motion picture archives.
ARRI Rental - We've got you covered.
The best support your vision can get.
Fully digital 3D surgical microscope.
Professional filmmaking for medical media productions.
A new era in surgical imaging.
ARRI film and digital cameras dominated as the capture tools of the Oscar winners at the 86th Annual Academy Awards.
ARRI hosted an event during the 2014 Berlinale with Phedon Papamichael, ASC, who recently shot the films NEBRASKA and THE MONUMENTS MEN in ARRIRAW with ALEXA.
Jon Fauer, ASC, of Film and Digital Times, interviews ARRI's Marc Shipman-Mueller and Henning Rädlein about the benefits of ALEXA Software Update Packet 9.0.
Phedon Papamichael, ASC, discusses combining ALEXA and ARRICAM cameras, as well as anamorphic lenses and Master Primes, on George Clooney's WWII drama.
DP Frankie DeMarco shoots ARRIRAW with ALEXA and uses M18 ARRI M-Series lampheads on J.C. Chandor's ALL IS LOST, starring Robert Redford.
DP Nicolas Loir discusses working with ALEXA on Ghostpoet's COLD WIN and Gesaffelstein's PURSUIT, the music videos that won him two awards at Camerimage.