Sala de Vídeos

Bem-vindo ao arquivo de Vídeos da ARRI, a biblioteca dos bate-papos técnicos, apresentações, vídeos demo, clipes e trailers de produções feitas com equipamento ARRI. Filtre por categoria ou pesquise por palavra-chave para encontrar vídeos sobre produtos específicos, filmmakers ou eventos.

 

SMB-1 Triple Filter Tray The SMB-1 is a large studio matte box for filter sizes up to 6.6" x 6.6". See how the SMB-1 Triple Filter Tray easily eliminates "ghosting" or filter reflections.
Anti-Reflection Frame for the LMB-25 The LMB-25 Anti-Reflection frame offers an easy solution to "ghosting" or filter reflections. Watch the video and learn how this is accomplished through the use of a tilting filter tray and stackable filters.
Anti-Reflection Frame with the LMB-6 Succeeding the classic LMB-4A, the LMB-6 offers all the innovations of the successful LMB-25 to larger-sized filters, up to 6.6" x 6.6". The Anti Reflection frame offers an easy solution to "ghosting" or filter reflections, through the use of a tilting filter tray and stackable filters.
SMB-1 Adapter for SMB-2 Filter Stages The SMB-1 is a large studio matte box for filter sizes up to 6.6" x 6.6". ARRI offers a step down filter tray for the use of 4 x 5.65" filters with the SMB-1.
LMB-25 Anamorphic and Spherical Mattes Check out the anamorphic and spherical mattes for the LMB-25, a clamp-on matte box that expands the feature set and creative possibilities of the LMB-15.
LMB-6 Anamorphic and Spherical Mattes Succeeding the classic LMB-4A, the LMB-6 offers all the innovations of the successful LMB-25 to larger-sized filters, up to 6.6" x 6.6". We offer anamorphic or spherical mattes for the LMB-6 to eliminate flares.
Eyepiece Leveler EL-3 The Viewfinder Extension Bracket and Eyepiece Leveler EL-3 allow the operator to position the viewfinder farther back along the body of the camera for a more convenient position to operate from.
Using the Tilting Feature of the Studio Matte Box SMB-2 The Studio Matte Box SMB-2 is optimized for 4" x 5.65" filters positioned either vertically or horizontally. It is well suited to most prime lenses and smaller zooms. Watch how the SMB-2's tilting feature, allows the user to eliminate "ghosting" or flare reflections.
Venice 2016: interview with Davide Manca Cinematographer Davide Manca discusses how he used the ALEXA XT and ARRI lights to pursue a soft, colorful look and fluid, handheld camerawork on director Roan Johnson’s film PIUMA (FEATHER). Photos by Stefano Montesi.
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