ARRI M40/25 and MAX Technology at IBC 2011
The latest fixture in ARRI's M-Series is presented by Stefan Schmidt. The M40/25 incorporates ARRI's unique and patented MAX Technology, which combines the advantages of a PAR and a Fresnel, and eliminates the need for spread lenses.
ARRI L-Series at IBC 2011
Ryan Fletcher presents the ARRI L-Series, a new generation of LED fixtures that is about to make a dramatic impact on the film and television lighting industries with its performance, versatility and cost efficiency.
New MP 135 Gallery
As part of the Master Prime 135 development project, we have provided a prototype of the lens with a PL-modified Canon 1D Mark IV to a number of prominent cinematographers and photographers to see what they would make of it. Not only were they very excited about the lens, but they created some stunning images.
Trailer restoration of MANIA
Starring the legendary Polish silent screen actress Pola Negri, MANIA is a 1918 German-produced film that has recently been restored using ARRISCAN archive tools as part of the Polish National Film Archive's Nitrofilm project.
Digitization of MANIA
Specialists at Filmoteka Narodowa - the Polish National Film Archive - use the ARRISCAN Wet Gate to clean and digitize a rare and delicate print of the 1918 silent film MANIA.
KILLER JOE trailer
Director William Friedkin's latest film is a small-town thriller about a contract killing that goes awry. Cinematographer Caleb Deschanel, ASC, chose to work with the ARRI ALEXA camera and ARRI/FUJINON Alura Zooms.
Directed by Nicolas Winding Refn and shot with ALEXA cameras by Newton Thomas Sigel, ASC, DRIVE is the story of a Hollywood stunt driver who offers out his skills to criminal gangs, only to find himself the intended target of a contract killing after a failed heist.
30 MINUTES OR LESS
Based on a true story, the film stars Jesse Eisenberg as a pizza deliveryman who is forced to rob a bank after a bomb is strapped to his body. Two ARRIMAXes rented from Quixote Studios worked consistently throughout the shoot. The film was directed by Ruben Fleischer, shot by Jess Hall, BSC with John Nadeau as gaffer.
COWBOYS AND ALIENS trailer
Chief Lighting Technician Michael Bauman used several ARRIMAXes on MaxMovers to light scenes in COWBOYS & ALIENS.