Sala de Vídeos

Bem-vindo ao arquivo de Vídeos da ARRI, a biblioteca dos bate-papos técnicos, apresentações, vídeos demo, clipes e trailers de produções feitas com equipamento ARRI. Filtre por categoria ou pesquise por palavra-chave para encontrar vídeos sobre produtos específicos, filmmakers ou eventos.

 

DP Brett Pawlak em O CASTELO DE VIDRO Os bastidores do featurette de O CASTELO DE VIDRO, dirigido por Destin Daniel Cretton e filmado pelo diretor de fotografia Brett Pawlak. Capturado em ALEXA com lentes ARRI/ ZEISS Master Anamórficas.
ARRI impressions from Cannes 2017 At the Cannes International Film Festival ARRI holds two events to intensify relationships with filmmakers.
Fredrik Wenzel at Cannes 2017 Cinematographer Fredrik Wenzel speaks with ARRI at the 70th Cannes Film Festival about shooting Swedish director Ruben Östlund’s Palme d’Or-winning feature film THE SQUARE with ALEXA XT and Master Prime lenses. BTS photo: Tobias Henriksson. Production stills: Platform Production AB  
Joshua James Richards at Cannes 2017 Director Chloe Zhao’s film THE RIDER won the top prize in the Director’s Fortnight selection at the 70th Cannes Film Festival; it was shot by British cinematographer Joshua James Richards with AMIRA and Ultra Primes. BTS photos: Nick Langley. Production stills: Caviar.
ARRI Camera Showreel 2017 For capturing the best images possible, ARRI offers four solutions to suit every kind of production. We have named these solutions: ALEXA SXT, AMIRA, ALEXA Mini, and ALEXA 65.
Stephan Komandarev at Cannes 2017 Bulgarian director Stephan Komandarev worked with cinematographer Vesselin Hristov on his film DIRECTIONS, which follows multiple taxi drivers navigating the streets of Sofia on the same evening. The film was shot in long, continuous takes with an ALEXA Mini. BTS photos: Argo Film. Production stills: Argo Film.
Ed Lachman ASC at Cannes 2017 Legendary cinematographer Ed Lachman ASC chose to work mainly on 35 mm film for LOVELESS, his latest collaboration with director Todd Haynes. ARRICAMs captured 90% of the action, though an ALEXA Mini was used for challenging scenes in a museum. Production stills: Cinetic Media.
ARRI Lightweight Matte Box LMB-4x5 Suited for a wide range of applications in just one product, the robust but lightweight LMB 4x5 allows for an unprecedented level of flexibility.
Bill Bennett ASC on ARRI LDS Using the ARRI Lens Data System creates an immediate benefit on set. See here the advantages of LDS from a users point of view.
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