Experience ARRI at Cannes 2016 Highlights from ARRI’s presence at the 69th Cannes Film Festival.
Guillaume Deffontaines AFC at Cannes 2016 Cinematographer Guillaume Deffontaines AFC speaks with ARRI at the 69th Cannes Film Festival about working with ALEXA cameras and ARRI/ZEISS Master Anamorphic lenses on Bruno Dumont’s film SLACK BAY (MA LOUTE). Photos courtesy of Roger Arpajou.
Sébastien Godefroy at Cannes 2016 Cinematographer Sébastien Godefroy speaks with ARRI at the 69th Cannes Film Festival about shooting Sébastien Betbeder’s feature film LE VOYAGE AU GROENLAND with AMIRA and ARRI/ZEISS Ultra Prime lenses. Photos courtesy of Envie de Tempête Production.
Trailer for IT'S ONLY THE END OF THE WORLD, shot with ARRICAM Director Xavier Dolan collected the Grand Prix at Cannes 2016 for IT'S ONLY THE END OF THE WORLD (JUSTE LA FIN DU MONDE), a Canadian-French drama about a young man breaking the news of his terminal illness to his family. The film was shot by André Turpin CSC with ARRICAM cameras and ARRI/ZEISS Master Prime lenses.
THE COLD FRONT: first Russian Master Anamorphic feature film THE COLD FRONT is the first Russian feature film to be made with ARRI/ZEISS Master Anamorphic lenses. Directed by Roman Volobuev, it was shot by cinematographer Michael Khasaya, who combined the Master Anamorphics with ALEXA XT and recorded in ARRIRAW for maximum image quality.
Highlights of the ARRI Booth From cameras and lenses, to stabilizing rigs, lighting and accessories, ARRI showcased our latest offerings at NAB 2016 in Las Vegas.
New Master Anamorphics: 28 + 180 mm ARRI introduces two new focal lengths to the ARRI/ZEISS Master Anamorphic series, the 28 mm and 180 mm, extending the range at both the wide-angle and telephoto ends.
ARRI Ultra Wide Zoom at the Ribbon Chapel in Japan Matthew Allard ACS uses the ARRI Ultra Wide Zoom UWZ 9.5-18/T2.9 on an architectural shoot at the Ribbon Chapel in Hiroshima, Japan.
Master Anamorphic Flare Sets showreel Tokyo-based production and shooting support company Digital Garden recently produced a showreel to demonstrate the creative possibilities of its Master Anamorphic Flare Sets, which were the first to arrive in Japan. Cinematographer Takehiko Fukae, working with director Shinichi Takamura and DIT Tatsuo Sasaki, combined the Master Anamorphics with ALEXA XT and ALEXA Mini cameras.