Yu Lik-wai at Cannes 2015 Chinese DP Yu Lik-wai speaks to ARRI at the 2015 Cannes Film Festival about his work on MOUNTAINS MAY DEPART, which was captured with ALEXA in combination with Ultra Prime and Master Anamorphic lenses. This interview was captured with AMIRA, ARRI's documentary-style camera.
Arnaud Potier at Cannes 2015 DP Arnaud Potier speaks to ARRI at the 2015 Cannes Film Festival about his work on LES COWBOYS, which was captured in ARRIRAW with ALEXA. This interview was captured with AMIRA, ARRI's documentary-style camera.
SIRENS OF CRYSTAL RIVER For SIRENS OF CRYSTAL RIVER, Dimitrius took the ARRI AMIRA underwater to film wild manatees in Florida.
Cover Girl: CODEGIRL Cover Girl, “Girls Who Code” commercial was directed by Lesley Chilcott and shot by Maryse Alberti on AMIRA.
AMIRA Showreel NAB 2015 Clips from just a few of the many scripted and unscripted productions that have been taking advantage of the AMIRA’s exceptional production value and operator-friendly ergonomic design.
NAB 2015: ARRI AMIRA SUP 2.0 Product Manager Markus Duerr gives an overview of the latest improvements for the ARRI AMIRA with 4K UHD recording, a new design for the shoulder pad, a prototype audio receiver and more. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere for documentaries, low budget features, TV, commercials, etc..
Whirlpool: Perceptions of Care "Perceptions of Care," which shows three generations of one family living under the same roof, was directed and shot by Mai Iskander on the ARRI AMIRA.
ARRI Big Screen Experience 2014 intro ARRI’s Marc Shipman-Mueller introduces the ARRI Big Screen Experience at Camerimage 2014, which provided an overview of the amazing variety of production types, distribution formats and deliverables that can be accommodated when shooting with ARRI cameras and lenses.
Johann Perry and Neil Harvey interview During the ARRI Big Screen Experience at Camerimage 2014, documentary filmmakers Johann Perry and Neil Harvey share their experiences of working with the AMIRA camera on a wide range of productions.
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