AMIRA IBC 2016 Showreel With optimized ergonomics for the single operator and the same image quality as ALEXA, the AMIRA is well suited to a diverse range of different production types.
Bringing THE BFG to Life A behind the scenes look on the set of THE BFG, directed by Steven Spielberg and shot by Janusz Kaminski on ALEXA.
The new look on wild Brazil Utilizing a variety of customized camera techniques, Emmy award-winning cinematographer Cristian Dimitrius delivers a new and exciting view of the wildlife found in his native Brazil.
Experience ARRI at Cannes 2016 Highlights from ARRI’s presence at the 69th Cannes Film Festival.
Sébastien Godefroy at Cannes 2016 Cinematographer Sébastien Godefroy speaks with ARRI at the 69th Cannes Film Festival about shooting Sébastien Betbeder’s feature film LE VOYAGE AU GROENLAND with AMIRA and ARRI/ZEISS Ultra Prime lenses. Photos courtesy of Envie de Tempête Production.
ARRI AMIRA SUP 4.0 Following customer feedback worldwide ARRI is introducing a ProRes S16 HD recording mode for Super 16, in addition to refinements for the powerful Multicam features with AMIRA Software Update Package (SUP) 4.0.
AMIRA IBC 2016 Showreel With optimized ergonomics for the single operator and the same image quality as ALEXA, the AMIRA is well suited to a diverse range of different production types.
Teaser trailer for FIRE AT SEA, captured with AMIRA Gianfranco Rosi won the Golden Bear at Berlinale 2016 for his documentary feature film FIRE AT SEA, which was captured with AMIRA and examines the European migrant crisis.
FIRE AT SEA press conference At a Berlinale 2016 press conference Gianfranco Rosi, who won the Golden Bear for FIRE AT SEA, discusses how important the ARRI AMIRA was on this powerful documentary about the European migrant crisis.
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