Anthony Dod Mantle ASC, BSC, DFF discusses working with the ARRI ALEXA Mini on Oliver Stone’s thriller SNOWDEN "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
Anthony Dod Mantle ASC, BSC, DFF discusses working with ALEXA 65 lenses and different locations "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
Anthony Dod Mantle ASC, BSC, DFF discusses working with the ALEXA 65 system "I was shooting in natural light in Tong Lau, a very poor area in Hong Kong that’s like an organic painting…there’s so much detail, so many little things you can see, and if you hold the camera and don’t whizz around and stress and edit too fast, but just take your time and let the audience slowly feel this place – it’s like licking the windowsills of these slum buildings; it’s just incredible."
Venice 2016: interview with Manuel Alberto Claro DFF Cinematographer Manuel Alberto Claro DFF shares his experiences shooting Amat Escalante’s film THE UNTAMED with the director’s own ALEXA Mini, a camera Claro quickly took a shine to.
The Looks of ALEXA Lenses are not the only way to create specific looks. ALEXA is capable of producing an amazing variety of different looks for different stories and situations, with creative on-set color control and incredible flexibility in post.
ALEXA Mini IBC 2016 Showreel Experience some of the many different creative shot possibilities and application areas opened up by the lightweight and versatile ALEXA Mini.
Bringing THE BFG to Life A behind the scenes look on the set of THE BFG, directed by Steven Spielberg and shot by Janusz Kaminski on ALEXA.
The new look on wild Brazil Utilizing a variety of customized camera techniques, Emmy award-winning cinematographer Cristian Dimitrius delivers a new and exciting view of the wildlife found in his native Brazil.
Experience ARRI at Cannes 2016 Highlights from ARRI’s presence at the 69th Cannes Film Festival.
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