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Cinematographer Bill Bennett, ASC, captures stunning aerial images of Los Angeles with the ARRI Ultra Wide Zoom UWZ 9.5-18/T2.9.
07 APR 14
Filmmaker Jens Hoffmann tests AMIRA on the streets of Rio's infamous City of God for MATA MATA, his unique feature-length documentary about Brazilian soccer.
02 APR 14
A number of software tools, available free of charge on the ARRI website, help ensure the smooth processing of ALEXA footage in postproduction.
ALEXA Software Update Packet (SUP) 10.0 will deliver new features and refinements, further cementing the sustainability of the ALEXA business model.
08 APR 14
ARRI introduces the newest member of the L-Series, the compact and lightweight L5, which joins the popular L7 LED Fresnels already available.
03 APR 14
Gaffer Sun Weifeng discusses the advantages of ARRI's M-Series lampheads, having recently invested in hundreds of them for the rental house he owns in China.
Davide Pozzi of the Italian restoration lab L'Immagine Ritrovata discusses how ARRISCAN archive technology helped preserve a masterpiece of the French New Wave.
With the Master Anamorphics there isn't that fall-off -- you can put a face right in the corner of the frame and it will be sharp.
Phedon Papamichael, ASC
See the ARRI AMIRA capturing impromptu street scenes in Rio de Janeiro’s infamous City of God.