Leading restoration software companies demonstrated their latest products, all of which facilitate digital repairs to damaged film materials. These included Phoenix and DVO from Digital Vision, DaVinci Revival from Blackmagic, Correct from MTI and Diamant from HS-ART. ARRI also presented its new and unique range of ARRISCAN archive tools, as well as the ARRILASER film recorder and RELATIVITY software.

Workshops and seminars assessed various archive workflows and technologies:

• Mikko Kuutti, KAVA Finland: A look at the challenges film archives face with the digitalisation
  of the film production chain
• Dr. Johannes Steurer, ARRI R&D: Archiving motion picture film in a digital world
• Raul Schmidt, Austrian Film Museum: Digital film restoration between archive and lab
• Thilo Gottschling, ARRI Film&TV: Scanning strategies for digital film restoration
• Dr. Hans Kiening, ARRI QC: 2K versus 4K in the Archive World
• Rainer M. Engel, Scientific Media: Digital restoration in an open workflow as on Metropolis
• Davide Pozzi, L´Immagine Ritrovata: Restorations´s study cases: The scan of nitrates
  in standard and out of standard format