Inspiring Images. Since 1917.

Director of photography Daria D’Antonio, CCS, AFC, chose the ALEXA 35 and Signature Prime and Zoom lenses for “Parthenope,” the new film by Academy Award-winning director Paolo Sorrentino that premiered at the 77th edition of the Cannes Film Festival.

A team of documentary filmmakers used ALEXA 35 and Signature Zooms to unveil the natural wonders of Chilean Patagonia, capturing breathtaking wildlife images with stunning detail.

The first ALEXA 35 Live - Multicam Systems have been delivered and already been active in a production. At the same time a test shoot on a soccer game has been conducted.

The Wiener Konzerthaus and the Mozarteum University Salzburg use ARRI Orbiter for their lighting. Both appreciate the high quality of the color and characteristics of the light along with the fixture’s perfect dimming curve and quiet operation.

The team behind X3D Studio and cinematographer James Hia discuss the creative possibilities and groundbreaking experience of filming in Southeast Asia’s largest ARRI-accredited virtual production stage.

Cinematographer Guido Frenzel used the ARRI Multicam System to give a live production feel to a new adaptation of the Holocaust trial play, “Die Ermittlung. Oratorium in elf Gesängen.”